My favourite part of the Eden Project was the Core building, it is the arts, education and events hub. It’s design is based on the geometry that defines plant growth, or as it is known to its mates, phyllotaxis
I totally fell in love with ‘the seed’ a 70 ton sculpture hewn from Cornish granite that sits at the centre of the building (regular readers will know my affection for lumps of rock.)
The impact of the seed seemed magnified somehow by the small circular room in which it nestles, hidden, gestating waiting to burst out (this also makes it difficult to photograph) for me there was something going on about, the vastness of nature and the littleness of the human race, I have to add I don’t have a clue what I am talking about here, I can only tell you how it made me feel
For a sense of scale
It is based on a sunflower and was designed by the sculptor Peter Randall-Page.
I enjoyed the video* of the making of ‘the seed’ from the selection and blasting the rock, the sculpting and it’s journey on a very large truck through the narrow lanes and the nail biting crane lift as it was carefully lowered through the central oculus** into position. The journey, or maybe it was more of a ceremonial procession, filmed from the cab of the truck, seemed to encompass all life, passing on the way babies in buggies, children playing, right through to a funeral cortège (forgive me, but I can just imagine the films creative directors glee at capturing a hearse on film, ‘Yes! birth, death, the seed, the core, gedit? regeneration, life’s journey, the cycle of life.’
Oh forgive me I’ve come over all eco-arty, I’ll have to nip out side and hug a tree and caress a cauliflower.
*One teeny weeny moan, the entrance to the little theatre area where the film was shown, was next to the screen, so the light falling on the screen rather took the edge off the viewing quality of the film, I still watched it twice though!
** Oculus, got to love that word, not sure how often I could chuck it in to a conversation though.